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ATEM星座8K用于乡村音乐WE音乐节的现场制作

ATEM星座8K是宾夕法尼亚州全方位服务视频制作公司Upstage video的新飞行包的核心, 它还包括Blackmagic Design的Smart Videohub 12G 40x40路由器, ATEM 2 M/E Broadcast Panel and more

Blackmagic Design今天宣布,其ATEM Constellation 8K现场生产切换器在WE Fest上被用作超高清12G-SDI和光纤现场生产工作流的一部分, 是美国最大的乡村音乐节,也是世界上持续时间最长的音乐节.

Now in its 37th year, the three day festival took place in Detroit Lakes, MN, 2019年8月,克里斯·斯台普顿等明星将参加演出, Keith Urban, Brooks and Dunn, LeAnn Rimes and more.

ATEM星座8K是宾夕法尼亚州全方位服务视频制作公司Upstage video的新飞行包的核心, 它还包括Blackmagic Design的Smart Videohub 12G 40x40路由器, ATEM 2 M/E Broadcast Panel and more. 专为音乐会巡演和音乐节行业而建, 超高清12G-SDI和光纤飞包负责WE Fest的两个17 ' x 27 '舞台屏幕和12 ' x 21 '前台屏幕的切换和视频分发, 以及VIP营地和供应商区域的闭路分配和同步广播.

“这个飞行包的独特之处在于它的模块化设计使它可以分成三个架子,导演的架子放在房子前面,” explained Upstage Video’s Project Manager Greg Brown. “In the U.S., most directors are typically set up backstage, while U.K. 导演通常坐在房子前面,这样他们可以看到灯光等等. However, in the U.S., 我们已经看到一种趋势,越来越多的导演更喜欢在前台,因为他们想从节目和观众那里获得能量, which is hard to get backstage. 对我们来说,重要的是开发一个可以轻松提供前台总监职位和工程后台的飞行包.”

The director’s rack houses the ATEM 2 M/E Broadcast Panel, SmartView 4K和SmartScope Duo 4K显示器和Teranex Mini SDI到Audio 12G转换器, and it’s linked to the CCU rack, which houses the ATEM Constellation 8K, Smart Videohub 12G 40x40 with Videohub Smart Control, Audio Monitor 12G, Mini Converters Optical Fiber 12G and GPI and Tally Interface. 第三个机架是工程机架,有额外的Mini Converters光纤12G和一个媒体服务器.

When it came time to design the flypack, 后台视频需要一个可以处理大量工作流程的切换器, but at the right price point. 布朗说:“当我们看到ATEM星座8K时,我们知道我们必须使用它。. “24个可分配的12G-SDI输出对我们来说是巨大的,因为它们有助于减少我们所需的路由数量. We also love the built in Fairlight audio mixer, 在WE Fest上,将舞台混音的模拟音频馈送嵌入到我们录制的视频馈送中,这是一个很大的帮助, as well as the closed circuit TV feed.”

“Additionally, ATEM星座8K接收任何分辨率或帧率并转换它的能力不仅在其自身方面是梦幻般的, but also helps keep latency to a minimum,” he added. “Being in live entertainment, having the least amount of latency, ideally less than seven lines of processing delay, is critical, even in the multiviews.”

在为期三天的节日里,每天有四到六场演出, coupled with each act having different video needs and setups, preparedness and peace of mind were key. Brown explained, “We do our best to connect with acts weeks before an event, 但是对于那些自己旅行的人来说,这很难做到. At WE Fest, 能够让一个表演的视频导演在演出的早晨走一走,并迅速满足他们的需求,这有助于导演放松下来,集中精力切换演出. In this vein, ATEM星座8K能够接收不同的分辨率和帧率,并在没有舷外齿轮的情况下进行转换,这是理想的. Similarly, with 40 12G-SDI inputs, we were able to patch in every act’s needs in the morning, which eliminated the need to hard patch cables in between acts.”

另一个决定因素是切换器在高清、超高清和8K功能之间的灵活性. “To have 8K service, even if we don't use it just yet, 再加上在超高清的情况下,它是一个完全最大化的切换器, all at that price point, made the ATEM Constellation 8K a no brainer,” concluded Brown.

Blackmagic Design今天宣布,其ATEM Constellation 8K现场生产切换器在WE Fest上被用作超高清12G-SDI和光纤现场生产工作流的一部分, 是美国最大的乡村音乐节,也是世界上持续时间最长的音乐节.

 

Now in its 37th year, the three day festival took place in Detroit Lakes, MN, 2019年8月,克里斯·斯台普顿等明星将参加演出, Keith Urban, Brooks and Dunn, LeAnn Rimes and more.

 

ATEM星座8K是宾夕法尼亚州全方位服务视频制作公司Upstage video的新飞行包的核心, 它还包括Blackmagic Design的Smart Videohub 12G 40x40路由器, ATEM 2 M/E Broadcast Panel and more. 专为音乐会巡演和音乐节行业而建, 超高清12G-SDI和光纤飞包负责WE Fest的两个17 ' x 27 '舞台屏幕和12 ' x 21 '前台屏幕的切换和视频分发, 以及VIP营地和供应商区域的闭路分配和同步广播.

 

“这个飞行包的独特之处在于它的模块化设计使它可以分成三个架子,导演的架子放在房子前面,” explained Upstage Video’s Project Manager Greg Brown. “In the U.S., most directors are typically set up backstage, while U.K. 导演通常坐在房子前面,这样他们可以看到灯光等等. However, in the U.S., 我们已经看到一种趋势,越来越多的导演更喜欢在前台,因为他们想从节目和观众那里获得能量, which is hard to get backstage. 对我们来说,重要的是开发一个可以轻松提供前台总监职位和工程后台的飞行包.”

 

The director’s rack houses the ATEM 2 M/E Broadcast Panel, SmartView 4K和SmartScope Duo 4K显示器和Teranex Mini SDI到Audio 12G转换器, and it’s linked to the CCU rack, which houses the ATEM Constellation 8K, Smart Videohub 12G 40x40 with Videohub Smart Control, Audio Monitor 12G, Mini Converters Optical Fiber 12G and GPI and Tally Interface. 第三个机架是工程机架,有额外的Mini Converters光纤12G和一个媒体服务器.

 

When it came time to design the flypack, 后台视频需要一个可以处理大量工作流程的切换器, but at the right price point. 布朗说:“当我们看到ATEM星座8K时,我们知道我们必须使用它。. “24个可分配的12G-SDI输出对我们来说是巨大的,因为它们有助于减少我们所需的路由数量. We also love the built in Fairlight audio mixer, 在WE Fest上,将舞台混音的模拟音频馈送嵌入到我们录制的视频馈送中,这是一个很大的帮助, as well as the closed circuit TV feed.”

 

“Additionally, ATEM星座8K接收任何分辨率或帧率并转换它的能力不仅在其自身方面是梦幻般的, but also helps keep latency to a minimum,” he added. “Being in live entertainment, having the least amount of latency, ideally less than seven lines of processing delay, is critical, even in the multiviews.”

 

在为期三天的节日里,每天有四到六场演出, coupled with each act having different video needs and setups, preparedness and peace of mind were key. Brown explained, “We do our best to connect with acts weeks before an event, 但是对于那些自己旅行的人来说,这很难做到. At WE Fest, 能够让一个表演的视频导演在演出的早晨走一走,并迅速满足他们的需求,这有助于导演放松下来,集中精力切换演出. In this vein, ATEM星座8K能够接收不同的分辨率和帧率,并在没有舷外齿轮的情况下进行转换,这是理想的. Similarly, with 40 12G-SDI inputs, we were able to patch in every act’s needs in the morning, which eliminated the need to hard patch cables in between acts.”

 

另一个决定因素是切换器在高清、超高清和8K功能之间的灵活性. “To have 8K service, even if we don't use it just yet, 再加上在超高清的情况下,它是一个完全最大化的切换器, all at that price point, made the ATEM Constellation 8K a no brainer,” concluded Brown.

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