-->
Save your FREE seat for 流媒体 Connect this August. 现在注册!

Has the Age of the Solo Live 生产商 Arrived?

更多类似视频请访问 流媒体YouTube频道.

Learn more about live streaming production at 流媒体西部2020!

Read the complete transcript of this clip:

本·拉特纳: I come from the prosumer world where, 已经有四五年了, I've been the only person on a production many times. I think that that kind of work--not for every occasion, but for many occasions--is going to come in use now. Someone who is not only able to do the basic tech--audio, video, 有一台照相机, know the basics of using bonded cellular or getting connected to the internet--but also is able to do all-in-one production with something like TriCaster, 奥林匹克广播服务公司, Wirecast, 或者任何一个产消者, mid-level ways to do live multicamera production.

That's a good kind of person to know, 或者能够雇佣, because if you're not allowed to have 50 people in a room and you can only have, 假设有25个人, you're not going to waste 10 of those people on a live streaming crew. Clients are going to want one person in there that could just do everything, or someone that can handle it with different elements and send all your signals to somewhere else.

I think if it's possible to find all-in-one tech producers--or all-in-one producers in general--that's a useful thing until we know more about what's going on. Obviously, if you have the opportunity to hire and bring in bigger teams, it will be better. 这样会更好. But sometimes you have to deal with the reality of amount of people you can fit in the room.

亚历克斯·林赛: I think that the reason that things are going to change so dramatically is because the technology was here to do it. 极速是来做这件事的. Right now we can throw an ATEM Mini with three 6K cameras and a little mixer into a 1510 and a backpack, 派人出去, 他们还能切割三摄像头. 我们都在玩它们. And so you can cut a very basic show with that.

Is that going to replace all the stuff that we have? No, but you can do a relatively good show, especially as a contribution into a larger show. That's one of the reasons I started doing this morning thing called Office Hours that has 300 people showing up from around the world every day--and all we're doing is talking about production--is because I need to make sure that I have exactly what you're looking for, 本. I need to make sure that I know who those people are anywhere in the world, because we're going to need them as this continues to move forward.

那么我们该如何教育他们呢? How do we help them educate each other? It's really more peer-to-peer than it is a class. But a lot of that is paying attention to--you're absolutely right--this all-in-one approach. And the hardest thing by the way, is audio. Video is relatively straightforward. People who understand audio and coms are gold. 这是我们的经验. Audio is much harder to teach than video from a live perspective because you can't see it, 你知道, but audio is probably more important than video because you can't listen to bad audio for very long. You can watch bad video for quite some time.

流媒体覆盖
免费的
合资格订户
现在就订阅 最新一期 过去的问题
相关文章

Pros and Cons of Going Live with Remote Production

As social distancing necessitates remote production, live producers face new challenges and new variables that raise the question: Is walking the live streaming highwire the right choice? 这取决于, say 本 Ratner and Alex Lindsay, in this clip from their panel at 流媒体 East Connect 2020.

Are We Moving Toward a REMI Hybrid Model for Live Events?

Blizzard Entertainment's Corey Smith discusses the shift toward full cloud remote (REMI) production in large-scale event streaming in this clip from a panel at 流媒体 East Connect 2020.

How COVID-19 Has Changed Streaming Workflows

As COVID-19 has necessitated the virtualization of formerly in-person live events, streaming producers' roles and workflows have changed, as 生产商 and Associate Director Liz Hart and 090 Media's Alex Lindsay discuss in this clip from 流媒体 East Connect 2020.